How Tasty Was My Little Frenchman

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icon-brazilian-cinemaFifty Years of Brazilian Cinema

How Tasty Was My Little Frenchman

  1. Sunday, April 21, 2013 3:00 p.m.
Image from the film How Tasty Was My Little Frenchman
This delicious black comedy, set in colonial Paraty outside Rio de Janeiro, tells the story of a French adventurer who is captured by members of the Tupinambá tribe and readied for the community’s ritual consumption. The tribe treats their prisoner better than you might think. They give him food and a wife, who happily teaches him the ways of the community. As he plays with his new mate, he considers how to avoid his prescribed fate as the main course of the ceremonial tribal dinner. Originally banned in Brazil due to excessive nudity, the film remains a slyly entertaining masterwork of Brazilian Cinema Novo. In Portuguese language with English subtitles (35mm presentation)


“Over fifty years have passed since Nelson Pereira dos Santos made his first film, yet he continues to work with youthful enthusiasm on new projects,” wrote Darlene Sadlier in her book on Pereira dos Santos for the Contemporary Film Directors series published by University of Illinois Press. “His career is long and diverse” and “his various projects are unified by a leftist political point of view and a desire to make his audience think as well as feel.” This series is sponsored by the Department of Spanish and Portuguese, Brazilian Consulate in Chicago, Office of the Vice President of International Affairs, College of Arts and Humanities Institute, Film and Media Studies, Department of Communication and Culture, African Studies, Black Film Center/Archive, Center for Latin American and Caribbean Studies, American Studies, Latino Studies, Department of African American and African Diaspora Studies, Brazilian Association at Indiana University and IU Cinema. Special thanks to the Academia Brasileira de Letras and Darlene Sadlier. This visit is also in partnership with UCLA, Wexner Center for the Arts and City College, New York.