The programs are presented in partnership between the IU Art Museum and IU Cinema and are sponsored by Marsha R. Bradford and Harold A. Dumes. All gallery talks and films are free and open to the public. Each film is paired with a respective gallery talk at the IU art Museum at 2:00 p.m. the day of each screening.
Filmmakers repeatedly envision apocalyptic futures to critique present trends. The series Apocalypse, Then and Now pairs two films that portray the dread of imminent catastrophe, as wide-scale infertility threatens the human race with extinction. Each of the films reimagines key issues of its own time, including reproductive rights, race relations, immigration policies, the war on terror, and the blurring boundaries among church, state, and the military. This series is sponsored by the College Arts and Humanities Institute, Department of English, and IU Cinema.
The Heartland Film Festival—nonprofit Heartland Film’s flagship event—is Indiana’s largest and longest-running celebration of independent film. With the mission to inspire filmmakers and audiences through the transformative power of film, the October Festival showcases the best in international film, spanning narrative and documentary subjects in both short and feature formats. The 2014 Festival featured 134 films from 45 countries, welcomed more than 130 filmmakers from all over the world and awarded more than $115,000 in cash prizes.
In 2011, the Coolidge Corner Theatre Foundation received a $150,000 grant from the Alfred P. Sloan Foundation to expand Science on Screen℠ to independent cinemas nationwide. Over the past four years, the two organizations have awarded a total of 48 grants to 32 independent theaters for use in creating and presenting their Science on Screen℠ programming. Indiana University Cinema is one of the 2014-2015 award recipients.
Science on Screen℠ creatively pairs screenings of classic, cult, and documentary films with lively introductions by notable figures from the world of science, technology, and medicine.
April 29 – May 3, 2015
Presented by The Media School at Indiana University, IU Libraries, and Indiana University Cinema.
May 6, 2015, marks the 100th anniversary of the birth of actor, writer, producer and director Orson Welles. There will be numerous celebrations of this date at cinemas and institutions worldwide. Indiana University will host one of the most significant collections of scholars, writers, filmmakers and archivists who have been key figures in in the scholarship surrounding Welles’ work.
Registration is now open!
This 4-day symposium will include keynote addresses, academic sessions, paper presentations, a major exhibit of Welles materials, evening special presentations featuring introductions and discussions with guest scholars, filmmakers and archivists, tours of IU’s facilities and collections, and social events. Confirmed guests include:
- Jonathan Rosenbaum
- Joseph McBride
- James Naremore
- Chuck Workman
- Patrick McGilligan
- Marguerite Rippy
Indiana University libraries, centers and institutes are home to over 80,000 items in 8mm, 16mm or 35mm film prints and hundreds of thousands of film-related press materials, posters, memorabilia and correspondence.
Included are the Orson Welles Collection in the Lilly Library, which will be the focus of the Library’s spring exhibit. The materials in this collection number about 20,000 items and pertain to Welles’ activities on radio, stage, and film as well as to his personal and political life.
Complementing the main Welles Collection are the papers of George Fanto, Welles’s cameraman on It’s All True and Othello, and L. Arnold Weissberger, Welles’ personal attorney. Over a dozen collections at the Lilly Library contain materials pertaining to Orson Welles, as well as individually catalogued screenplays and press kits of films directed by or starring Welles.
Partnering IU departments and units for the symposium include the IU Libraries, The Media School, Film and Media Studies, Black Film Center/Archive, Indiana University Libraries Moving Image Archive, Indiana University Cinema, Media Preservation Initiative Task Force and Lilly Library.
Conference and screening schedule is forthcoming.
Header Image: [UNIVERSAL/THE KOBAL COLLECTION ]
Bridgett M. Davis’ 1996 film Naked Acts is the first feature written, directed, produced, and self-distributed by an African American woman. Davis and her creative partner, visual artist Renée Cox, will be present for a two-day workshop organized around the expressly Black feminist themes of the film and of their individual work in other media. This program was developed by the Black Film Center/Archive and is made possible by a grant from the College of Arts & Humanitites Insitutute, and support from the College of Arts and Sciences; the Kinsey Institute; the Departments of American Studies, Gender Studies, English, and African American & African Diaspora Studies; the Creative Writing Program; and IU Cinema.
Naked Acts (1996) Directed by Bridgett M. Davis
Monday, September 29 – 7:00 p.m. –IU Cinema
Director Bridgett M. Davis and actress/artist Renée Cox are scheduled to be present.
Artist Talk with Renée Cox
Tuesday, September 30 – 10:30 AM – Indiana Memorial Union (IMU) Dogwood Room
Jorgensen Guest Lecture with Bridgett M. Davis and Renée Cox
Tuesday, September 30 – 3:00 p.m. – IU Cinema
Into the Go-Slow Reading/ Book Signing with Bridgett M. Davis
Tuesday, September 30 – 7PM – Boxcar Books (408 E. 6th Street)
This year marks the 60th anniversary of the landmark U.S. Supreme Court decision in Brown v. Board of Education.
In declaring that “separate educational facilities are inherently unequal,” the Brown decision became a pivotal
event in the ongoing struggle for racial desegregation and civil rights in the United States. To mark this anniversary,
this series showcases two documentaries that chronicle the immediate and enduring impact of the Brown decision
on American society. The series is sponsored by the IU Maurer School of Law, the Center for Law, Society
& Culture, the Center for Research on Race & Ethnicity in Society, the Maurer student chapters of the American
Constitution Society and the Black Law Student Association, and IU Cinema. Screenings are free, but ticketed.
Julian Bond is scheduled to be present at the October 16th screening of Eyes on the Prize.
Dean James Wimbush, Vice President for Diversity, Equity, and Multicultural Affairs and Dean of the University Graduate School, will be introducing Julian Bond at the screening of Eyes on the Prize.
Beginning with his pivotal role in the civil rights movement, Julian Bond—an expert on
diversity in the law—has always been on the cutting edge of social change and leadership.
As an eyewitness of watershed moments of the civil rights movement, the first
black U.S. vice presidential nominee and former chairman of the NAACP, Julian Bond
delivers powerful speeches on the centuries-long struggle of African Americans for
equality, diversity in the shaping of laws, and civil rights moving into the future, as well
as keynotes on African American’s impact on music, national affairs, and leadership.
Computing technologies have become
pervasive in contemporary society.
Critical reflection on the relationship
between society and technology, with
an eye towards the social meaning and
consequences of emerging computer
technologies, is therefore as necessary
as it is timely.
This series reflects on
the social aspects of computerization,
including the role of computing technology
in social and organizational change,
the personal and societal uses and effects
of information and communication
technologies, and the influence of social
values and practices on the organization
and design of information technologies.
The film series is supported by IU’s Rob
Kling Center for Social Informatics,
School of Informatics and Computing,
Cyberinfrastructure for Network Science
Center, and IU Cinema. Screenings are
free, but ticketed.
Tickets for all screenings are $3.
Kevin Kline has seamlessly transitioned
between the worlds of theatre and film
and has earned equal distinction in both.
He has been the recipient of numerous
awards, including an Academy Award® for
his iconic role in A Fish Called Wanda and
two Tony® awards. He was also the first
American actor to receive the Sir John
Gielgud Golden Quill Award, was honored
with the Lucille Lortel Award for Lifetime
Achievement, and in 2004 was inducted
into the Theatre Hall of Fame. Along with
being a Juilliard graduate, Kline is an
alumnus of Indiana University.